Zack Snyder's Netflix space western "Rebel Moon" might be imitating "Star Wars" and "Seven Samurai," but it's so bold that it has to be seen to be believed.
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Zac Efron plays the cursed wrestler Kevin Von Erich in Sean Durkin's "The Iron Claw," an A24 release about the most tragic family in wrestling history.
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Bradley Cooper and Carey Mulligan command the screen in "Maestro," a powerful and visually astonishing Netflix biopic about composer Leonard Bernstein.
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With "Poor Things," Yorgos Lanthimos reunites with "The Favourite" star Emma Stone for a new fantastical, arch, feminist riff on "Frankenstein."
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Cord Jefferson's exceptional directorial debut, "American Fiction," features a dazzling performance from Jeffrey Wright and some sharp satire.
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Paul King's confectionary prequel "Wonka" is nowhere near as bad as the previews look - in fact, it's a joy, in no small part thanks to Timothée Chalamet.
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"Leave the World Behind" would have been better without its many twists and turns that ultimately leaves the viewer out of patience.
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Cheaper, meaner, and more complicated than the American "MonsterVerse" titles, the new Japanese film "Godzilla Minus One" is a satisfying, fearsome blockbuster.
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"Wish" tries to honor Disney's classic fairy tale adaptations, but it also can't resist some of modern animation's more cringey affections.
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Barry Keoghan shines in "Saltburn," an aesthetically gorgeous take on class structure that never fails to engage the audience.
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Joaquin Phoenix takes on one of his biggest roles to date in "Napoleon," co-starring Vanessa Kirby, as Ridley Scott's historical epic covers the emperor's life.
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Nicolas Cage is a college professor who appears in everyone's dreams in A24's November release "Dream Scenario," but the satire leaves a lot to be desired.
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"The Hunger Games: The Ballad Of Songbirds and Snakes" is a gripping prequel with a great cast, but the love story is the least interesting aspect of the film.
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Nia DaCosta's "The Marvels" ties together "Captain Marvel," "WandaVision," and "Ms. Marvel," and the result is a pretty good MCU entry that often feels shallow.
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David Fincher returns with "The Killer," a Netflix release starring Michael Fassbender as a cold, calculating, nameless contract killer on a mission.
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Colman Domingo commands the screen in Netflix's "Rustin," a biopic about Civil Rights Movement organizer Bayard Rustin, directed by George C. Wolfe.
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The verdict is in on the latest foray into the world of superheroes. Bloodshot is Sony's latest attempt to bring a comic book hero to life on the big screen.
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Sofia Coppola's A24-distributed "Priscilla" tells the story of Elvis Presley (Jacob Elordi) through the eyes of his wife, Priscilla Beaulieu (Cailee Spaeny).
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Blumhouse Productions' long-awaited "Five Nights at Freddy's" film from director Emma Tammi brings the haunted pizzeria and its animatronic inhabitants to life.
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The strong lead cast helps make "Killers of the Flower Moon" one of Martin Scorsese's best films, though it could benefit from featuring Lily Gladstone more.
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Ellen Kuras directs Kate Winslet in "Lee," a biopic about intrepid photojournalist Lee Miller co-starring Marion Cotillard and Andy Samberg.
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The French Palme d'Or-winner "Anatomy of a Fall" is a slow-burn psychological thriller with absorbing characters and a shocking twist up its sleeve.
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Amazon Prime's "The Burial," directed by Maggie Betts, features a powerhouse performance from Jamie Foxx as personal injury lawyer Willie Gary.
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The final word in the Skywalker saga has been spoken - and critics have officially let their responses to that word ring throughout the galaxy far, far away.
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When plans were announced for a Freddie Mercury biopic, plenty of fans screamed "Galileo!" in sheer delight. But when the film opened, it hit a few flat notes.
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Zack Snyder added lots of cool Easter eggs back into his cut of Justice League, including this reference to a Marvel superhero of all things.
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A24's first musical, "Dicks: The Musical," is every bit as queer, raunchy, and unforgettable as the title implies, though the ending will prove divisive.
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